Exploring the AABA Form in Songwriting - For Dummies

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** Exploring the AABA Form in Songwriting **

The song form known as AABA was /the/ form of choice in the first half of
the 20th century. It's still used today in songwriting, but has fallen off
in popularity. However, it's good to know this form because you never know
when it'll be the perfect fit for the song you are writing.

*Examining the AABA form*

In the /AABA form,/ the A sections are the versesections, and the B section
is a /bridge./ In other forms, B represents whatever section comes second
in the song. The title is usually placed either in the first or the last
line of each verse and is in the same place each time it comes around.

The bridge is a section that provides a contrast to the verse sections by
using different chords, a different melody, and sometimes a shift in the
focus in the lyrics. It


Source: www.dummies.com/how-to/content/exploring-the-aaba-form-in-songwriting.html


do aaba


Thirty-two-bar form - Wikipedia, the free encyclopedia

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** Thirty-two-bar form **

From Wikipedia, the free encyclopedia
Jump to: navigation, search
See also: Ballad#Ballad form
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th century popular
32-bar song.^[1]

The *thirty-two-bar form*, often called *AABA* from the musical form or
order in which its melodies occur, also *ballad form*,^[2] is common in Tin
Pan Alley songs and later popular music including rock, pop and jazz.
Though it resembles the ternary form of the operatic da capo aria its
popularity declined and "there were few instances of it in any type of
popular music until the late teens" of the 20th century. It became "the
principal form" of American popular song around 1925–1926,^[3], with
AABA form consisting of the chorus or the entirety of many songs in the
early 20th century.^[4]

Some Tin Pan Alley songs composed as numbers for musicals precede the main
tune with a "sectional verse" that is usually sixteen bars long. The verse
establishes the background and mood of the number, and is musically
undistinguished in order to highlight the attractions of the main tune. The
main tune is called the refrain or chorus. The sectional verse is often
omitted from modern performances, and thus the refrain is often the only
section remembered and heard.

In the refrain, the A section or verse forms the main melody and is
harmonically closed with a cadence on the "home" or tonic chord. The B
section or *middle eight* is also often referred to as the /bridge/ and
sometimes as the /release/.^[5] In it a simple modulation is commonly found
and at its end it remains harmonically open, often ending on the unresolved
dominant chord of the home key and so preparing for the return of the
verse


Source: en.wikipedia.org/wiki/Thirty-two-bar_form

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